The Last Bullfight
Members of Colombia's younger generation say they “will not torture for tradition.”
It wasn’t long ago that Colombia was among the world’s most important countries for bullfighting, due to the quality of its bulls and its large number of matadors. In his 1989 book Colombia: Tierra de Toros (“Colombia: Land of Bulls”), Alberto Lopera chronicled the maturation of the sport that Spanish conquistadors had introduced to South America in the 16th century, from its days as an unorganized brouhaha of bulls and booze in colonial plazas to a more traditional Spanish-style spectacle whose fans filled bullfighting rings across the country.
But in recent years, the popularity of what spectators call the fiesta brava has waned in Colombia, and an anti-bullfighting movement has grown. Bullfight fans and animal-rights activists have told me that large-scale bullfights are now only performed in four Colombian cities, and attendance is slipping. According to Luis Alfonso Garcia Carmona, the executive director of the Association for the Defense of Bullfighting (Asotauro) in Medellín, the quality of Colombian bulls and matadors has declined—and with them, Colombia’s stature among the seven or so countries in Europe and Latin America where Spanish-style bullfighting is still practiced.
Bullfights in this style consist of three tercios, or stages, in which the bull first endures repeated stabbings from horsemen wielding lances; then piercings by banderilleros carrying colorfully decorated, barbed sticks called banderillas. In the final stage, the tercio de muerte, the matador aims to kill the bull by piercing its heart with a sword thrust between the shoulder blades. Bullfight fans I’ve interviewed attribute the blow to the sport’s popularity to growing international awareness of animal-cruelty issues, as well as rising ticket prices, a lack of innovation in the sport, and even Walt Disney films that make animals seem like human characters.
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